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	<title>AnitaGiraldo.com</title>
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	<pubDate>Wed, 27 Mar 2024 20:57:07 +0000</pubDate>
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&#60;img width="1500" height="900" width_o="1500" height_o="900" data-src="https://freight.cargo.site/t/original/i/07c150bcc6eb18cb983c74dac49f413d0627366dcce42d5879eb2dc6ab350efe/wFTS_061117_Finca_Stills0008.jpg" data-mid="207290930" border="0"  src="https://freight.cargo.site/w/1000/i/07c150bcc6eb18cb983c74dac49f413d0627366dcce42d5879eb2dc6ab350efe/wFTS_061117_Finca_Stills0008.jpg" /&#62;
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I do many things.I create installations, graphics, and children’s books.I capture photographs, videos, and sound media that play a role in my art &#38;amp; design work. 
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		<description>Art &#38;amp; DesignInstallation
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		<title>Installation</title>
				
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		<pubDate>Thu, 21 Mar 2024 19:51:28 +0000</pubDate>

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		<description>Installation

I create multi media installations that unite the photographic image, sound media and sensor electronics. My installations have shown throughout the US and Europe.


Finding the Sky


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&#60;img width="1500" height="750" width_o="1500" height_o="750" data-src="https://freight.cargo.site/t/original/i/f2ca3a889275bf093ba14b521ae0dc70734cbf3aa39a8ac00a07d94ce1da9c6f/wFTS_060317_Monteria_Berrocal_Stills0048.jpg" data-mid="207294192" border="0"  src="https://freight.cargo.site/w/1000/i/f2ca3a889275bf093ba14b521ae0dc70734cbf3aa39a8ac00a07d94ce1da9c6f/wFTS_060317_Monteria_Berrocal_Stills0048.jpg" /&#62;
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&#60;img width="1000" height="600" width_o="1000" height_o="600" data-src="https://freight.cargo.site/t/original/i/aab3fbdf966a5a6d47d5550d2dfb37f1f44caaf38e46068bc31f08f27bfc9ca5/wFTS_030617_Mont_Berr_0040.jpg" data-mid="207294199" border="0"  src="https://freight.cargo.site/w/1000/i/aab3fbdf966a5a6d47d5550d2dfb37f1f44caaf38e46068bc31f08f27bfc9ca5/wFTS_030617_Mont_Berr_0040.jpg" /&#62;
&#60;img width="1500" height="750" width_o="1500" height_o="750" data-src="https://freight.cargo.site/t/original/i/3762593557e4ee23ccbadb766c7145a3709298a16e79dd98bca8fa5e57b8e370/wFTS_Monteria_Cem.jpg" data-mid="207294186" border="0"  src="https://freight.cargo.site/w/1000/i/3762593557e4ee23ccbadb766c7145a3709298a16e79dd98bca8fa5e57b8e370/wFTS_Monteria_Cem.jpg" /&#62;




Finding the Sky is a work under development; details of its progress are available at 

 https://steeliceandstone.blogspot.com/

&#38;nbsp;
It’s the story of a 100-year old man who grew up in a cow town on the Colombian border with Panama.
Sound and image footage have been captured throughout South America, gleaned from locations written to his wife.

The images are from areas frequented 100 years ago, untouched, in a state of suspended animation. Please visit Links &#38;amp;&#38;nbsp;Writings page for details.




Steel, Ice &#38;amp; Stone


&#60;img width="288" height="367" width_o="288" height_o="367" data-src="https://freight.cargo.site/t/original/i/af987206ee5e6548139635466733a02890b6a31365d4bd4fbceb1f1125075d64/SIS_Stone.3.jpg" data-mid="207294333" border="0"  src="https://freight.cargo.site/w/288/i/af987206ee5e6548139635466733a02890b6a31365d4bd4fbceb1f1125075d64/SIS_Stone.3.jpg" /&#62;
&#60;img width="288" height="367" width_o="288" height_o="367" data-src="https://freight.cargo.site/t/original/i/1f101b7ed2881ed89428ba0c2a816b4c6bf160689cf38ddb763107305be17fde/SIS_Ice.3.jpg" data-mid="207294330" border="0"  src="https://freight.cargo.site/w/288/i/1f101b7ed2881ed89428ba0c2a816b4c6bf160689cf38ddb763107305be17fde/SIS_Ice.3.jpg" /&#62;
&#60;img width="288" height="367" width_o="288" height_o="367" data-src="https://freight.cargo.site/t/original/i/b916688c9ae552d13ecff01d5aa03e3644d809eadb8b7c80769a30af0fe8ae91/SIS_Steel3B.jpg" data-mid="207294327" border="0"  src="https://freight.cargo.site/w/288/i/b916688c9ae552d13ecff01d5aa03e3644d809eadb8b7c80769a30af0fe8ae91/SIS_Steel3B.jpg" /&#62;
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&#60;img width="288" height="367" width_o="288" height_o="367" data-src="https://freight.cargo.site/t/original/i/4ecd13aef86347041aa29693249c19578c572704cf37a2f76cb0298179373bb4/SIS_Ice.1.jpg" data-mid="207294321" border="0"  src="https://freight.cargo.site/w/288/i/4ecd13aef86347041aa29693249c19578c572704cf37a2f76cb0298179373bb4/SIS_Ice.1.jpg" /&#62;
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&#60;img width="288" height="367" width_o="288" height_o="367" data-src="https://freight.cargo.site/t/original/i/45ccc3135ae2e14da592640c4451721f195bfb9d1b0d6f04220a02affa8d0423/SIS_Ice.2.jpg" data-mid="207294302" border="0"  src="https://freight.cargo.site/w/288/i/45ccc3135ae2e14da592640c4451721f195bfb9d1b0d6f04220a02affa8d0423/SIS_Ice.2.jpg" /&#62;
&#60;img width="288" height="367" width_o="288" height_o="367" data-src="https://freight.cargo.site/t/original/i/6239d45e376c79184a217d806ad454ddf46a3fe6cc76dad7c124c4228030e116/SIS_Steel.1.jpg" data-mid="207294271" border="0"  src="https://freight.cargo.site/w/288/i/6239d45e376c79184a217d806ad454ddf46a3fe6cc76dad7c124c4228030e116/SIS_Steel.1.jpg" /&#62;





Details of this work’s development are available at https://steeliceandstone.blogspot.com/. Please view the informational video: https://vimeo.com/129343701




Steel Ice &#38;amp; Stone is a multi-media interactive installation. Nine suspended LED panels and sensor-triggered sound create an environment for memory recall.&#38;nbsp; This work aims to open a discourse in how technology can reawaken nuanced memories in our lives. Please visit Links &#38;amp; Writings for details and Tech Notes for tech description.




Laser-exposed &#38;nbsp;c-prints made from 4x5 transparency. Editioned: 48 x 60 inches; Exhibition: A0: 38 x 49 inches.

&#60;img width="504" height="378" width_o="504" height_o="378" data-src="https://freight.cargo.site/t/original/i/91b73474686b8510a2bef5e17fff7c9e0ac19481b38d147d005ff3cc5791827e/Exhibition_image_Gowanus_4_2014.jpg" data-mid="221069434" border="0" data-scale="100" alt="Steel Ice &#38;amp; Stone installed at the Gowanus Ballroom, Brooklyn, 4/2014. Non" data-caption="Steel Ice &#38;amp; Stone installed at the Gowanus Ballroom, Brooklyn, 4/2014. Non" src="https://freight.cargo.site/w/504/i/91b73474686b8510a2bef5e17fff7c9e0ac19481b38d147d005ff3cc5791827e/Exhibition_image_Gowanus_4_2014.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp;
&#60;img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/56e2e9cfe1c637a1942008783bf162aa29543ddf6b2d6367fdde980156dbf497/062014_SIS_Gowanus_099.JPG" data-mid="221069252" border="0" data-scale="93" src="https://freight.cargo.site/w/1000/i/56e2e9cfe1c637a1942008783bf162aa29543ddf6b2d6367fdde980156dbf497/062014_SIS_Gowanus_099.JPG" /&#62;

&#60;img width="323" height="432" width_o="323" height_o="432" data-src="https://freight.cargo.site/t/original/i/e86ed644da8b0817a67fafaabfcf8b9a6d7caf5c7a60d723af9f685526aeb0f1/SIS_Install2.jpg" data-mid="207294338" border="0" alt="Installing the panels in Trenton." data-caption="Installing the panels in Trenton." src="https://freight.cargo.site/w/323/i/e86ed644da8b0817a67fafaabfcf8b9a6d7caf5c7a60d723af9f685526aeb0f1/SIS_Install2.jpg" /&#62;
&#60;img width="504" height="378" width_o="504" height_o="378" data-src="https://freight.cargo.site/t/original/i/891c857e99d648b2b34754fb9fc59798a522afa9214c3e1b6c9af9a630c84f08/SIS_Gowanus_3_panels.jpg" data-mid="207294341" border="0" alt="The panels at the Gowanus Ballroom. Nine panels in total. Note the speaker on top and the sensor on the side of the light panels." data-caption="The panels at the Gowanus Ballroom. Nine panels in total. Note the speaker on top and the sensor on the side of the light panels." src="https://freight.cargo.site/w/504/i/891c857e99d648b2b34754fb9fc59798a522afa9214c3e1b6c9af9a630c84f08/SIS_Gowanus_3_panels.jpg" /&#62;


See My Voice
See My Voice is a series of speech-animated photographs. All but one is a group of sequential images of a person in the act of speech, and all have a speaking unit which is programmed to speak when the viewer crosses a sensor. The viewer triggers the speaking unit; this is an interactive installation. Please visit Tech Notes for tech description.



&#60;img width="1244" height="500" width_o="1244" height_o="500" data-src="https://freight.cargo.site/t/original/i/a4bdea0b6fe4daab604210eed1c60e2aef8933e3e81d87eb65bf11587593c99d/SMV_mein-bruder_rev.jpg" data-mid="207294912" border="0" alt="He speaks with a smile, 1994. Speech-animated black-and-white print from negative. 48x24 in., 122x61 cm. This piece exhibited at the Amsterdams Zentrum Voor Fotographie, 1996, Der Werft in Cologne, Germany in 1998 and at the Civil War galleries in Red Hook, NY in 2011." data-caption="He speaks with a smile, 1994. Speech-animated black-and-white print from negative. 48x24 in., 122x61 cm. This piece exhibited at the Amsterdams Zentrum Voor Fotographie, 1996, Der Werft in Cologne, Germany in 1998 and at the Civil War galleries in Red Hook, NY in 2011." src="https://freight.cargo.site/w/1000/i/a4bdea0b6fe4daab604210eed1c60e2aef8933e3e81d87eb65bf11587593c99d/SMV_mein-bruder_rev.jpg" /&#62;
&#60;img width="930" height="500" width_o="930" height_o="500" data-src="https://freight.cargo.site/t/original/i/7b24bfe511e515b4928ded6133de079a934368ea09d5189b17c73f89ce1a9d16/SMV_non-posso_rev.jpg" data-mid="207294942" border="0" alt="Nothing can be done, 1995. Speech-animated black-and-white print from negative. 48x58 in., 122x76 cm.&#38;nbsp;This piece exhibited at the Amsterdams Zentrum Voor Fotographie, 1996, Der Werft in Cologne, Germany in 1998&#38;nbsp;and at the Civil War galleries in Red Hook, NY in 2011." data-caption="Nothing can be done, 1995. Speech-animated black-and-white print from negative. 48x58 in., 122x76 cm.&#38;nbsp;This piece exhibited at the Amsterdams Zentrum Voor Fotographie, 1996, Der Werft in Cologne, Germany in 1998&#38;nbsp;and at the Civil War galleries in Red Hook, NY in 2011." src="https://freight.cargo.site/w/930/i/7b24bfe511e515b4928ded6133de079a934368ea09d5189b17c73f89ce1a9d16/SMV_non-posso_rev.jpg" /&#62;
&#60;img width="783" height="500" width_o="783" height_o="500" data-src="https://freight.cargo.site/t/original/i/b34ef1832a566f0b49ec11861a7d74a9f466c3be4097d8a1ba9a2d36bd603cc5/SMV_isa_trip.jpg" data-mid="207311729" border="0" alt="People show me something, 1995. Triptych. Speech-animated black-and-white prints from negative. 75x40.5 in., 190x102 cm.&#38;nbsp;This piece exhibited at the Civil War galleries in Red Hook, NY in 2011 and Tabla Rasa Gallery, Brooklyn in 2012." data-caption="People show me something, 1995. Triptych. Speech-animated black-and-white prints from negative. 75x40.5 in., 190x102 cm.&#38;nbsp;This piece exhibited at the Civil War galleries in Red Hook, NY in 2011 and Tabla Rasa Gallery, Brooklyn in 2012." src="https://freight.cargo.site/w/783/i/b34ef1832a566f0b49ec11861a7d74a9f466c3be4097d8a1ba9a2d36bd603cc5/SMV_isa_trip.jpg" /&#62;
&#60;img width="1628" height="2138" width_o="1628" height_o="2138" data-src="https://freight.cargo.site/t/original/i/ab38f17aa6a1d297f8b44a4f07258215490bac6c819704260118dd08ba5e7d76/tony_2024_opt.jpg" data-mid="221069963" border="0" alt="My Joy Comes From Within, 1995. Speech-animated black-and-white print from negative. 48x58 in., 122x76 cm.&#38;nbsp;This piece exhibited at the Amsterdams Zentrum Voor Fotographie, 1996, Der Werft in Cologne, Germany in 1998&#38;nbsp;and at the Civil War galleries in Red Hook, NY in 2011." data-caption="My Joy Comes From Within, 1995. Speech-animated black-and-white print from negative. 48x58 in., 122x76 cm.&#38;nbsp;This piece exhibited at the Amsterdams Zentrum Voor Fotographie, 1996, Der Werft in Cologne, Germany in 1998&#38;nbsp;and at the Civil War galleries in Red Hook, NY in 2011." src="https://freight.cargo.site/w/1000/i/ab38f17aa6a1d297f8b44a4f07258215490bac6c819704260118dd08ba5e7d76/tony_2024_opt.jpg" /&#62;
&#60;img width="996" height="500" width_o="996" height_o="500" data-src="https://freight.cargo.site/t/original/i/e353f5bc029a11c54215058460e16cec1c52e2eac4a130018278a8dfecad99ef/SMV_indian_summer_rev.jpg" data-mid="207311772" border="0" alt="Indian Summer, 1994. Triptych. Speech-animated color prints from transparency. 35x100 in., 89x254 cm. Exhibited at at the Adams Landing Art Center, Cincinnati, OH, 1995, Amsterdams Centrum Door Fotografie, 1995, the Civil War galleries in Red Hook, NY in 2011." data-caption="Indian Summer, 1994. Triptych. Speech-animated color prints from transparency. 35x100 in., 89x254 cm. Exhibited at at the Adams Landing Art Center, Cincinnati, OH, 1995, Amsterdams Centrum Door Fotografie, 1995, the Civil War galleries in Red Hook, NY in 2011." src="https://freight.cargo.site/w/996/i/e353f5bc029a11c54215058460e16cec1c52e2eac4a130018278a8dfecad99ef/SMV_indian_summer_rev.jpg" /&#62;
&#60;img width="939" height="500" width_o="939" height_o="500" data-src="https://freight.cargo.site/t/original/i/2da9a31cfea8de0344338cf5bd615c8e1d5f76ef10dd9faf6c204f065c437d34/SMV_BWAC1.jpg" data-mid="207294964" border="0" alt="All pieces from the installation showed at the Civil War Galleries, Red Hook, courtesy of The Brooklyn Waterfront Artists Coalition (above) and at the Adams Landing Art Center in Cincinnati. Five of the seven images showed in Amsterdam, four pieces showed at Der Werft in Cologne, Germany." data-caption="All pieces from the installation showed at the Civil War Galleries, Red Hook, courtesy of The Brooklyn Waterfront Artists Coalition (above) and at the Adams Landing Art Center in Cincinnati. Five of the seven images showed in Amsterdam, four pieces showed at Der Werft in Cologne, Germany." src="https://freight.cargo.site/w/939/i/2da9a31cfea8de0344338cf5bd615c8e1d5f76ef10dd9faf6c204f065c437d34/SMV_BWAC1.jpg" /&#62;







Working with tapes of the spoken voice has given me insight into the effect of the telephone on the way we communicate. On the telephone we form mental images of each other through what we infer from each otherʼs voices.

Itʼs possible to talk to people regularly over a period of timeand only imagine what they look like. We may speak to someone on the telephone whom we do not see for years, but the image we remember of them is frozen in the past.
When this installation was created, each piece was designed to be free-standing. Since the speaking unit is battery operated, the pieces were placed around the viewing space in an order suitable for the flow of viewers, dependent only on the room lighting set-up so that the viewer could break its beam.



When the sensor was tripped, the unit emitted sound from a small speaker behind each piece. The sensor is a small infrared-sensitive bulb which is embedded in the frame of the piece and is not immediately obvious to the viewer. The installation showed with this unit in Cincinnati and Amsterdam in 1996 and in Cologne, Germany in 1998.







Looking for Work
Looking For Work is a commission I received from the Columbia County Historical County, Kinderhook, New York, following the historical documentary book, Looking For Work, by Peter Stott. It illustrates the industrial landscapes of Columbia County. The exhibition was curated by Bonnie Yochelson.



&#60;img width="652" height="217" width_o="652" height_o="217" data-src="https://freight.cargo.site/t/original/i/10b864da7f2f4ea0ec5cc7e3eef8bf7a5e1f9ed1848140200921502f3a3183bf/NEW-barn.jpg" data-mid="207311249" border="0" alt="The Grainary, Shaker Mills, Columbia County,&#38;nbsp; 2006, 15 x 45 in., 38 x 114 cm. Digital C-print from color transparency. Commissioned by and exhibited at the Columbia County Historical Society, Kinderhook, New York." data-caption="The Grainary, Shaker Mills, Columbia County,&#38;nbsp; 2006, 15 x 45 in., 38 x 114 cm. Digital C-print from color transparency. Commissioned by and exhibited at the Columbia County Historical Society, Kinderhook, New York." src="https://freight.cargo.site/w/652/i/10b864da7f2f4ea0ec5cc7e3eef8bf7a5e1f9ed1848140200921502f3a3183bf/NEW-barn.jpg" /&#62;
&#60;img width="652" height="217" width_o="652" height_o="217" data-src="https://freight.cargo.site/t/original/i/390c0b7c26e712c2bdc17f9d6c1a7a632f239d0fdece8c98e947a7e1c88c9881/mill.jpg" data-mid="207311239" border="0" alt="Silver Mills, Columbia County,&#38;nbsp; 2006, 15 x 45 in., 38 x 114 cm. Digital C-print from color transparency. Commissioned by and exhibited at the Columbia County Historical Society, Kinderhook, New York." data-caption="Silver Mills, Columbia County,&#38;nbsp; 2006, 15 x 45 in., 38 x 114 cm. Digital C-print from color transparency. Commissioned by and exhibited at the Columbia County Historical Society, Kinderhook, New York." src="https://freight.cargo.site/w/652/i/390c0b7c26e712c2bdc17f9d6c1a7a632f239d0fdece8c98e947a7e1c88c9881/mill.jpg" /&#62;
&#60;img width="360" height="360" width_o="360" height_o="360" data-src="https://freight.cargo.site/t/original/i/529bf79d4bcf88ce09325231d8b1053a05bd5c8499f866b7e1b4ac4eb2089e2c/mill_river.jpg" data-mid="207311252" border="0" alt="Falls Mills,&#38;nbsp; 2006, 16 x 16 in., 41 x 41 cm. Digital C-print from transparency." data-caption="Falls Mills,&#38;nbsp; 2006, 16 x 16 in., 41 x 41 cm. Digital C-print from transparency." src="https://freight.cargo.site/w/360/i/529bf79d4bcf88ce09325231d8b1053a05bd5c8499f866b7e1b4ac4eb2089e2c/mill_river.jpg" /&#62;
&#60;img width="360" height="360" width_o="360" height_o="360" data-src="https://freight.cargo.site/t/original/i/be921ffadd5f6478fa700efe3af993532048190fac43da82090cc696d59b516a/Cop_Iron.jpg" data-mid="207311395" border="0" alt="Blast forge, Copake,&#38;nbsp;2006, 16 x 16 in., 41 x 41 cm. Digital C-print from transparency." data-caption="Blast forge, Copake,&#38;nbsp;2006, 16 x 16 in., 41 x 41 cm. Digital C-print from transparency." src="https://freight.cargo.site/w/360/i/be921ffadd5f6478fa700efe3af993532048190fac43da82090cc696d59b516a/Cop_Iron.jpg" /&#62;
&#60;img width="652" height="217" width_o="652" height_o="217" data-src="https://freight.cargo.site/t/original/i/db2b8f80542ad9fff95f23753826412e52df7be9b00900b74dda7c694f941470/red_mill.jpg" data-mid="207311660" border="0" alt="The Barn at Red Mills, Columbia County,&#38;nbsp; 2006, 15 x 45 in., 38 x 114 cm. Digital C-print from color transparency. Commissioned by and exhibited at the Columbia County Historical Society, Kinderhook, New York." data-caption="The Barn at Red Mills, Columbia County,&#38;nbsp; 2006, 15 x 45 in., 38 x 114 cm. Digital C-print from color transparency. Commissioned by and exhibited at the Columbia County Historical Society, Kinderhook, New York." src="https://freight.cargo.site/w/652/i/db2b8f80542ad9fff95f23753826412e52df7be9b00900b74dda7c694f941470/red_mill.jpg" /&#62;
&#60;img width="652" height="217" width_o="652" height_o="217" data-src="https://freight.cargo.site/t/original/i/402ed2c3b7b657ba5b7e6956e97751c946a285baab6f9a85952e6a1e1d85ca82/Col_Br.jpg" data-mid="207311661" border="0" alt="The Columbiaville Bridge, aast cement, Columbia County,&#38;nbsp; 2006. 15 x 45 in., 38 x 114 cm. Digital C-print from color transparency. Commissioned by and exhibited at the Columbia County Historical Society, Kinderhook, New York." data-caption="The Columbiaville Bridge, aast cement, Columbia County,&#38;nbsp; 2006. 15 x 45 in., 38 x 114 cm. Digital C-print from color transparency. Commissioned by and exhibited at the Columbia County Historical Society, Kinderhook, New York." src="https://freight.cargo.site/w/652/i/402ed2c3b7b657ba5b7e6956e97751c946a285baab6f9a85952e6a1e1d85ca82/Col_Br.jpg" /&#62;









Curatorial Statement by Bonnie Yochelson:

Looking for Work features twenty large-scale color photographs of mills, factories, bridges, and other industrial buildings of Columbia County by New York City photographer Anita Giraldo. 

Unlike the county’s picturesque residences and churches, these buildings tell the story of economic development from the late-18th century to the mid-20th century. Today, they are in varying states of preservation: some have been maintained for business, some have been converted to domestic use, and some have fallen into ruin. 




The sites were chosen from Looking for Work: The Industrial Archeology of Columbia County (Syracuse University Press, 376 pp. 163 illus.), written by industrial historian Peter H. Stott and commissioned by the Columbia County Historical Society. The exhibition celebrates this long-awaited book, which offers essays on the industrial history of the county’s eighteen towns and the city of Hudson; and describes 134 sites, richly illustrated with historical photographs, maps, prints, and drawings.


</description>
		
	</item>
		
		
	<item>
		<title>Graphics</title>
				
		<link>https://anitagiraldo.com/Graphics</link>

		<pubDate>Thu, 21 Mar 2024 19:52:16 +0000</pubDate>

		<dc:creator>AnitaGiraldo.com</dc:creator>

		<guid isPermaLink="true">https://anitagiraldo.com/Graphics</guid>

		<description>Graphics

I was formally trained as a graphic designer and began my career as an illustrated book designer.&#38;nbsp;
All my work is dedicated to a visual brand and designed to work visually, conceptually and technically.




Democracy Spoken Here is a series of works on paper. They confront a particularly turbulent era in United States politics. The project is divided into groups of prints, each with its own design sensibility, concept examination and print method.




&#60;img width="1296" height="864" width_o="1296" height_o="864" data-src="https://freight.cargo.site/t/original/i/7324dfb4734e5cd05ba60f6f302035bc985d666c26700dc6aae90633aa11218b/-Giraldo_Anita_RDWB_V4_FINAL-01.jpg" data-mid="207687438" border="0" alt="RDWB -- Ringing Doorbell While Black, 2023. 18 x 12 inches  (45.7 x 30.4 cm)." data-caption="RDWB -- Ringing Doorbell While Black, 2023. 18 x 12 inches  (45.7 x 30.4 cm)." src="https://freight.cargo.site/w/1000/i/7324dfb4734e5cd05ba60f6f302035bc985d666c26700dc6aae90633aa11218b/-Giraldo_Anita_RDWB_V4_FINAL-01.jpg" /&#62;
&#60;img width="786" height="500" width_o="786" height_o="500" data-src="https://freight.cargo.site/t/original/i/c5d02ec7dadd3719c6153bbb149b9df1eca94de53b60b7eab1977038729ed6dc/El_Trabajo_Libera.jpg" data-mid="207301525" border="0" alt="El Trabajo Libera, 2021, 18 x 12 inches (45.7 x 30.4 cm)" data-caption="El Trabajo Libera, 2021, 18 x 12 inches (45.7 x 30.4 cm)" src="https://freight.cargo.site/w/786/i/c5d02ec7dadd3719c6153bbb149b9df1eca94de53b60b7eab1977038729ed6dc/El_Trabajo_Libera.jpg" /&#62;
&#60;img width="296" height="500" width_o="296" height_o="500" data-src="https://freight.cargo.site/t/original/i/b69cb025f175ab7d633c6936cb4419a4534d524f9d5fc72a6df9065705f2fed2/AGiraldo_God_Loves_Guns.jpg" data-mid="207301527" border="0" alt="God Loves Guns, 2020, 12 x 18 inches (&#38;amp;nbsp;30.4 x 45.7 cm)" data-caption="God Loves Guns, 2020, 12 x 18 inches (&#38;amp;nbsp;30.4 x 45.7 cm)" src="https://freight.cargo.site/w/296/i/b69cb025f175ab7d633c6936cb4419a4534d524f9d5fc72a6df9065705f2fed2/AGiraldo_God_Loves_Guns.jpg" /&#62;
&#60;img width="369" height="500" width_o="369" height_o="500" data-src="https://freight.cargo.site/t/original/i/abcef514ff8e55c489539c7e3f52767e172be7fb484bd6b0cfd932119fc0a3aa/E_P_U.jpg" data-mid="207348599" border="0"  src="https://freight.cargo.site/w/369/i/abcef514ff8e55c489539c7e3f52767e172be7fb484bd6b0cfd932119fc0a3aa/E_P_U.jpg" /&#62;
&#60;img width="716" height="500" width_o="716" height_o="500" data-src="https://freight.cargo.site/t/original/i/e67bc9938869be1e91d679d063da0e187ca9194c07e5b89a8eef7dec29c27a54/Fire_Fire.jpg" data-mid="207348601" border="0"  src="https://freight.cargo.site/w/716/i/e67bc9938869be1e91d679d063da0e187ca9194c07e5b89a8eef7dec29c27a54/Fire_Fire.jpg" /&#62;
&#60;img width="256" height="375" width_o="256" height_o="375" data-src="https://freight.cargo.site/t/original/i/06fe1dd3e89eb403f29d1d97649c6fe6e961ca44a001775c90a33b2f13f5b6be/She_has_neither.jpg" data-mid="207348593" border="0"  src="https://freight.cargo.site/w/256/i/06fe1dd3e89eb403f29d1d97649c6fe6e961ca44a001775c90a33b2f13f5b6be/She_has_neither.jpg" /&#62;
Three 2-color prints from the letterpress series
They were printed from 3-D printed polymer plates on Crane’s 80 lb cover on various letterpresses that would accept the larger plate.&#60;img width="720" height="720" width_o="720" height_o="720" data-src="https://freight.cargo.site/t/original/i/41b019bdb7312ea1c2a5418ca6897273f3d3d7ee813cf705489e3709a1cd123b/A_Woman_First_r9_FINAL_rule.jpg" data-mid="223633502" border="0"  src="https://freight.cargo.site/w/720/i/41b019bdb7312ea1c2a5418ca6897273f3d3d7ee813cf705489e3709a1cd123b/A_Woman_First_r9_FINAL_rule.jpg" /&#62;

A Woman First, 2024. 8 x 8 in. (20.3 x 20.3 cm). &#38;nbsp;&#38;nbsp;2-color RISO print. Response to states’ ban imposition after SCOTUS overturned RvW.&#38;nbsp;

&#60;img width="722" height="722" width_o="722" height_o="722" data-src="https://freight.cargo.site/t/original/i/10a3c30754d1214f23c73493f8acbb15b7d48329667f8063f63513130699d2d9/Miss_Mrs_Mom_v3_Final_rule.jpg" data-mid="223633343" border="0" alt="Miss Mrs. Mom, 2024. 8x8 in (20.3 x 20.3 cm). 2-color RISO print. Response to the continued assault on women's reproductive freedoms." data-caption="Miss Mrs. Mom, 2024. 8x8 in (20.3 x 20.3 cm). 2-color RISO print. Response to the continued assault on women's reproductive freedoms." src="https://freight.cargo.site/w/722/i/10a3c30754d1214f23c73493f8acbb15b7d48329667f8063f63513130699d2d9/Miss_Mrs_Mom_v3_Final_rule.jpg" /&#62;


Miss Mrs. Mom, 2024. 8x8 in (20.3 x 20.3 cm). 2-color RISO print. Response to the continued assault on women's reproductive freedoms.

&#60;img width="500" height="500" width_o="500" height_o="500" data-src="https://freight.cargo.site/t/original/i/971c0b80e3701d723156338c30a59b2748fd7a670e4e881e8d2c5a22d40c3f26/AGiraldo_Where_will_it_Stop_2.jpg" data-mid="207348650" border="0" alt="Where Will It Stop 1, 2022, &#38;amp;nbsp;8 x 8 in. (20.3 x 20.3 cm)" data-caption="Where Will It Stop 1, 2022, &#38;amp;nbsp;8 x 8 in. (20.3 x 20.3 cm)" src="https://freight.cargo.site/w/500/i/971c0b80e3701d723156338c30a59b2748fd7a670e4e881e8d2c5a22d40c3f26/AGiraldo_Where_will_it_Stop_2.jpg" /&#62;
&#60;img width="500" height="500" width_o="500" height_o="500" data-src="https://freight.cargo.site/t/original/i/020006f97ac829508a35ecb0455e014e5d237136cbc5fedf37f3ff9543a75e31/AGiraldo_Where_will_it_Stop_1.jpg" data-mid="207301533" border="0" alt="Where Will It Stop 2 2022, &#38;amp;nbsp;8 x 8 in. (20.3 x 20.3 cm)" data-caption="Where Will It Stop 2 2022, &#38;amp;nbsp;8 x 8 in. (20.3 x 20.3 cm)" src="https://freight.cargo.site/w/500/i/020006f97ac829508a35ecb0455e014e5d237136cbc5fedf37f3ff9543a75e31/AGiraldo_Where_will_it_Stop_1.jpg" /&#62;
&#60;img width="500" height="500" width_o="500" height_o="500" data-src="https://freight.cargo.site/t/original/i/ea6c3b69b8864cc6c74c39282996fe91723c2d206bb94e79f7ec64a2950129e1/AGiraldo_Where_will_it_Stop_3.jpg" data-mid="207348653" border="0" alt="Where Will It Stop 3, 2022, &#38;amp;nbsp;8 x 8 in. (20.3 x 20.3 cm)" data-caption="Where Will It Stop 3, 2022, &#38;amp;nbsp;8 x 8 in. (20.3 x 20.3 cm)" src="https://freight.cargo.site/w/500/i/ea6c3b69b8864cc6c74c39282996fe91723c2d206bb94e79f7ec64a2950129e1/AGiraldo_Where_will_it_Stop_3.jpg" /&#62;
Where Will It Stop, 2022. Three of four 2-color RISO prints confronting women’s reproductive rights issues.




&#60;img width="1473" height="361" width_o="1473" height_o="361" data-src="https://freight.cargo.site/t/original/i/dffe97b6b6c39c50b73fee69d02eb17168e51022e4525e8972430d43e5e833bb/No_Struggle_V6_FINAL.jpg" data-mid="207687901" border="0"  src="https://freight.cargo.site/w/1000/i/dffe97b6b6c39c50b73fee69d02eb17168e51022e4525e8972430d43e5e833bb/No_Struggle_V6_FINAL.jpg" /&#62;
&#38;nbsp; &#38;nbsp;If there is no, 2016 - 2024. Two-color woodcut from digital plates. Edn. 20.&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#60;img width="1071" height="1559" width_o="1071" height_o="1559" data-src="https://freight.cargo.site/t/original/i/eb4105a9e6c53ecc40c1ca89a212c2c3402f6c45f521e7d58cc20bf943db6028/u_cant_decide_V6_reduced.jpg" data-mid="221068871" border="0" data-scale="57" src="https://freight.cargo.site/w/1000/i/eb4105a9e6c53ecc40c1ca89a212c2c3402f6c45f521e7d58cc20bf943db6028/u_cant_decide_V6_reduced.jpg" /&#62;Can’t Decide Who (for Angela), 2016 - 2024. Two-color woodcut from digital plates. Edn. 20.
&#60;img width="500" height="750" width_o="500" height_o="750" data-src="https://freight.cargo.site/t/original/i/703e4a42e706f460bb2e0a8cbb2e2055d360691cc3cfae83a4594c225171e151/Youre_next_V5_r.jpg" data-mid="207348605" border="0"  src="https://freight.cargo.site/w/500/i/703e4a42e706f460bb2e0a8cbb2e2055d360691cc3cfae83a4594c225171e151/Youre_next_V5_r.jpg" /&#62;
You’re Next, 2019 - 2024. Three-color serigraph. Edn. 20.&#38;nbsp;In Progress:
&#60;img width="720" height="360" width_o="720" height_o="360" data-src="https://freight.cargo.site/t/original/i/7288c8e50b8dd589481b9a9d508e8d578cb727bcabbde8b1199070221df42e8d/Dem_Rep_Diptych.jpg" data-mid="221069171" border="0" alt="antiDem--antiRep, in progress. Digitally cut stencil prints." data-caption="antiDem--antiRep, in progress. Digitally cut stencil prints." src="https://freight.cargo.site/w/720/i/7288c8e50b8dd589481b9a9d508e8d578cb727bcabbde8b1199070221df42e8d/Dem_Rep_Diptych.jpg" /&#62;
antiDem--antiRep, in progress. Digitally cut stencil prints.

&#60;img width="500" height="347" width_o="500" height_o="347" data-src="https://freight.cargo.site/t/original/i/e0786d2b2688ea5354f2f728ad7b52b8095520ac86090b4ef43a539693ceb190/wAll_we_want_r2_FINAL.jpg" data-mid="207301678" border="0" data-scale="100" src="https://freight.cargo.site/w/500/i/e0786d2b2688ea5354f2f728ad7b52b8095520ac86090b4ef43a539693ceb190/wAll_we_want_r2_FINAL.jpg" /&#62;

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; All We Want,&#38;nbsp;in progress. Two-color woodcut from digital plates.

</description>
		
	</item>
		
		
	<item>
		<title>Book Design</title>
				
		<link>https://anitagiraldo.com/Book-Design</link>

		<pubDate>Thu, 21 Mar 2024 19:52:32 +0000</pubDate>

		<dc:creator>AnitaGiraldo.com</dc:creator>

		<guid isPermaLink="true">https://anitagiraldo.com/Book-Design</guid>

		<description>Book Design




BxW Book



BxW BOOKS is a series of children’s books for the very young, children from 0 - 12 weeks.


&#60;img width="252" height="252" width_o="252" height_o="252" data-src="https://freight.cargo.site/t/original/i/7923b05f76329804901f79a3a4c91d94d180bea889888867588b8202100d4d7c/WTitle.jpg" data-mid="207304948" border="0"  src="https://freight.cargo.site/w/252/i/7923b05f76329804901f79a3a4c91d94d180bea889888867588b8202100d4d7c/WTitle.jpg" /&#62;
&#60;img width="216" height="216" width_o="216" height_o="216" data-src="https://freight.cargo.site/t/original/i/7c0d6d8a750dd27b26100a06db92f9377d1abb8b1fd6e86aeadcbb88b5dc3eac/Wcircle.jpg" data-mid="207304968" border="0"  src="https://freight.cargo.site/w/216/i/7c0d6d8a750dd27b26100a06db92f9377d1abb8b1fd6e86aeadcbb88b5dc3eac/Wcircle.jpg" /&#62;
&#60;img width="216" height="216" width_o="216" height_o="216" data-src="https://freight.cargo.site/t/original/i/31ee7059f813ba7e63df7c54fda468f8c1acc7f2d84ec06924b4af8ccf189fac/Wsquare.jpg" data-mid="207304955" border="0"  src="https://freight.cargo.site/w/216/i/31ee7059f813ba7e63df7c54fda468f8c1acc7f2d84ec06924b4af8ccf189fac/Wsquare.jpg" /&#62;
&#60;img width="216" height="216" width_o="216" height_o="216" data-src="https://freight.cargo.site/t/original/i/95904df66095af31f493ddac5541b52bb2fed9ce94b1026a21661eed82d29675/Wdiamond.jpg" data-mid="207304978" border="0"  src="https://freight.cargo.site/w/216/i/95904df66095af31f493ddac5541b52bb2fed9ce94b1026a21661eed82d29675/Wdiamond.jpg" /&#62;
&#60;img width="252" height="252" width_o="252" height_o="252" data-src="https://freight.cargo.site/t/original/i/deb528562bfbb1565fea69bef416332e359c9cd8b6fa5283f52b48d13b6575e5/Wtriangle.jpg" data-mid="207304979" border="0"  src="https://freight.cargo.site/w/252/i/deb528562bfbb1565fea69bef416332e359c9cd8b6fa5283f52b48d13b6575e5/Wtriangle.jpg" /&#62;
&#60;img width="216" height="216" width_o="216" height_o="216" data-src="https://freight.cargo.site/t/original/i/5907cee2c2db0d90056598d0126bbad0a4d54b189f4ffe37b024a67e61f230be/Wsun.jpg" data-mid="207304980" border="0"  src="https://freight.cargo.site/w/216/i/5907cee2c2db0d90056598d0126bbad0a4d54b189f4ffe37b024a67e61f230be/Wsun.jpg" /&#62;
&#60;img width="216" height="216" width_o="216" height_o="216" data-src="https://freight.cargo.site/t/original/i/262f045388822b57ee9cfc4694e792da25edb94d054803ed16c136d21016317d/Wmoon.jpg" data-mid="207304994" border="0"  src="https://freight.cargo.site/w/216/i/262f045388822b57ee9cfc4694e792da25edb94d054803ed16c136d21016317d/Wmoon.jpg" /&#62;
&#60;img width="216" height="216" width_o="216" height_o="216" data-src="https://freight.cargo.site/t/original/i/db74015a1ebaf7cc852100bc61c9653520e531ce197615a1b0fe3d6da711cbc5/Wstars.jpg" data-mid="207305002" border="0"  src="https://freight.cargo.site/w/216/i/db74015a1ebaf7cc852100bc61c9653520e531ce197615a1b0fe3d6da711cbc5/Wstars.jpg" /&#62;



The original design was prototyped on syntyhetic felt (to avoid allergies) and a second edition is under development as a board book.





&#60;img width="225" height="225" width_o="225" height_o="225" data-src="https://freight.cargo.site/t/original/i/b2cb37e5fc1613ddbebc11e036d69554d02c839674cbc19360360527e9c30177/wlex_w_bookA1_sq.jpg" data-mid="207305005" border="0" alt="Market testing of the original felt book was a success." data-caption="Market testing of the original felt book was a success." src="https://freight.cargo.site/w/225/i/b2cb37e5fc1613ddbebc11e036d69554d02c839674cbc19360360527e9c30177/wlex_w_bookA1_sq.jpg" /&#62;





&#60;img width="667" height="667" width_o="667" height_o="667" data-src="https://freight.cargo.site/t/original/i/d6891b70f59ab6d0926d5a4424e4181ea3a815dd3c2ca4cdc7be84837494c5e3/IN_THE_WATER_2023.jpg" data-mid="207305788" border="0"  src="https://freight.cargo.site/w/667/i/d6891b70f59ab6d0926d5a4424e4181ea3a815dd3c2ca4cdc7be84837494c5e3/IN_THE_WATER_2023.jpg" /&#62;
&#60;img width="667" height="667" width_o="667" height_o="667" data-src="https://freight.cargo.site/t/original/i/3c22fd1fefe7a8211a666b7434453fc7bd383d4c0e01334c4875ea5129faed11/IN_THE_WATER_20232.jpg" data-mid="207305917" border="0"  src="https://freight.cargo.site/w/667/i/3c22fd1fefe7a8211a666b7434453fc7bd383d4c0e01334c4875ea5129faed11/IN_THE_WATER_20232.jpg" /&#62;
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&#60;img width="667" height="667" width_o="667" height_o="667" data-src="https://freight.cargo.site/t/original/i/080e92ce9d2bf0454597a7d345b2237fc00ed110f665929a15f48c2454700daa/IN_THE_WATER_20235.jpg" data-mid="207305989" border="0"  src="https://freight.cargo.site/w/667/i/080e92ce9d2bf0454597a7d345b2237fc00ed110f665929a15f48c2454700daa/IN_THE_WATER_20235.jpg" /&#62;
&#60;img width="667" height="667" width_o="667" height_o="667" data-src="https://freight.cargo.site/t/original/i/43e5a72706316105adb1c6fe98e1aa52953a2b501285d8d131a133c33da6d1f8/IN_THE_WATER_20234.jpg" data-mid="207305990" border="0"  src="https://freight.cargo.site/w/667/i/43e5a72706316105adb1c6fe98e1aa52953a2b501285d8d131a133c33da6d1f8/IN_THE_WATER_20234.jpg" /&#62;
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&#60;img width="667" height="667" width_o="667" height_o="667" data-src="https://freight.cargo.site/t/original/i/3a0b35b01e777936dc1ac5b6306e296260efa5e710b0b6b021f82f937f4a3d36/IN_THE_WATER_20237.jpg" data-mid="207305993" border="0"  src="https://freight.cargo.site/w/667/i/3a0b35b01e777936dc1ac5b6306e296260efa5e710b0b6b021f82f937f4a3d36/IN_THE_WATER_20237.jpg" /&#62;
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IN THE WATER is made of rubber, a bathtub book.





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NUMBERS is planned as a board book with UV-laminated images.



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	<item>
		<title>Recent</title>
				
		<link>https://anitagiraldo.com/Recent</link>

		<pubDate>Thu, 21 Mar 2024 18:46:30 +0000</pubDate>

		<dc:creator>AnitaGiraldo.com</dc:creator>

		<guid isPermaLink="true">https://anitagiraldo.com/Recent</guid>

		<description>Recent


&#60;img width="600" height="450" width_o="600" height_o="450" data-src="https://freight.cargo.site/t/original/i/281a94992d10e49a111bcb69699370cdb74a41f5a61b11b95dd1d4f917a85e9d/2023_garages.jpg" data-mid="207306307" border="0"  src="https://freight.cargo.site/w/600/i/281a94992d10e49a111bcb69699370cdb74a41f5a61b11b95dd1d4f917a85e9d/2023_garages.jpg" /&#62;
&#60;img width="600" height="450" width_o="600" height_o="450" data-src="https://freight.cargo.site/t/original/i/9a9d94a5bf72ce74b60ab3151e3a24e0825d23ef28ccd888d353f262fd6bf02c/2023_leaf.jpg" data-mid="207306308" border="0"  src="https://freight.cargo.site/w/600/i/9a9d94a5bf72ce74b60ab3151e3a24e0825d23ef28ccd888d353f262fd6bf02c/2023_leaf.jpg" /&#62;
&#60;img width="600" height="450" width_o="600" height_o="450" data-src="https://freight.cargo.site/t/original/i/82c5726d53676976805a24b77c37a7224265d49922b7894edceb8d94619601af/2023_tunnel.jpg" data-mid="207306309" border="0"  src="https://freight.cargo.site/w/600/i/82c5726d53676976805a24b77c37a7224265d49922b7894edceb8d94619601af/2023_tunnel.jpg" /&#62;
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All images were captured in 2023.
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	<item>
		<title>Fine Art</title>
				
		<link>https://anitagiraldo.com/Fine-Art</link>

		<pubDate>Thu, 21 Mar 2024 18:47:18 +0000</pubDate>

		<dc:creator>AnitaGiraldo.com</dc:creator>

		<guid isPermaLink="true">https://anitagiraldo.com/Fine-Art</guid>

		<description>Fine Art


Oklahoma

I went to Oklahoma to photograph where the three North American pipelines meet. This work was exhibited at Cultura Del Vaquero, Fort Worth Cultural Center, Texas.




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&#60;img width="652" height="217" width_o="652" height_o="217" data-src="https://freight.cargo.site/t/original/i/ec1d94f837d0fd05f640327defd771a1484e32756066a8e25a255e1bcd44d8cd/Wfar_wide1.jpg" data-mid="207306701" border="0"  src="https://freight.cargo.site/w/652/i/ec1d94f837d0fd05f640327defd771a1484e32756066a8e25a255e1bcd44d8cd/Wfar_wide1.jpg" /&#62;

&#60;img width="652" height="217" width_o="652" height_o="217" data-src="https://freight.cargo.site/t/original/i/8ab3d638be10bce51a36f8799997f8e7555ce1647e62b046516650e62c6d0014/Whouse-pet.A.jpg" data-mid="207306664" border="0"  src="https://freight.cargo.site/w/652/i/8ab3d638be10bce51a36f8799997f8e7555ce1647e62b046516650e62c6d0014/Whouse-pet.A.jpg" /&#62;
&#60;img width="652" height="217" width_o="652" height_o="217" data-src="https://freight.cargo.site/t/original/i/af5487d89648a268db1dd0d56fa0efb62b4392957ae6d72ea5b15123f5995e8d/Wtapped_void.jpg" data-mid="207306674" border="0"  src="https://freight.cargo.site/w/652/i/af5487d89648a268db1dd0d56fa0efb62b4392957ae6d72ea5b15123f5995e8d/Wtapped_void.jpg" /&#62;





Ravaged Waterfront

From 2002 - 2006 I photographed the industrial waterfront of Brooklyn and New Jersey as it transformed itself into a hipster enclave. Many of the structures have been demolished or renovated to house digital service bureaus, boutique grocery stores and stylish meeting places like IPA microbreweries and independent galleries.

&#60;img width="652" height="217" width_o="652" height_o="217" data-src="https://freight.cargo.site/t/original/i/68c5a54083477396b59e7ff3866d6955ed9bf995a52865ac10f30ca8227f2b78/Wpyramid.jpg" data-mid="207306781" border="0"  src="https://freight.cargo.site/w/652/i/68c5a54083477396b59e7ff3866d6955ed9bf995a52865ac10f30ca8227f2b78/Wpyramid.jpg" /&#62;
&#60;img width="652" height="217" width_o="652" height_o="217" data-src="https://freight.cargo.site/t/original/i/6253a148a555ac5c3f7f55a63142fb08cc2d105951ce504fad0f23cc6593c636/Wtowers.jpg" data-mid="207306798" border="0"  src="https://freight.cargo.site/w/652/i/6253a148a555ac5c3f7f55a63142fb08cc2d105951ce504fad0f23cc6593c636/Wtowers.jpg" /&#62;
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&#60;img width="652" height="217" width_o="652" height_o="217" data-src="https://freight.cargo.site/t/original/i/ca8e3ef04bc049be363fe516be6e883383c71cf92d969d6e090eead7f5195b28/Wsinking.jpg" data-mid="207306805" border="0"  src="https://freight.cargo.site/w/652/i/ca8e3ef04bc049be363fe516be6e883383c71cf92d969d6e090eead7f5195b28/Wsinking.jpg" /&#62;



&#60;img width="652" height="217" width_o="652" height_o="217" data-src="https://freight.cargo.site/t/original/i/e4318fafcc0157f8f861a0ccfe2465d444784435c0b6bd96ec4124a02e81178d/Woverlook_lookover.jpg" data-mid="207306792" border="0"  src="https://freight.cargo.site/w/652/i/e4318fafcc0157f8f861a0ccfe2465d444784435c0b6bd96ec4124a02e81178d/Woverlook_lookover.jpg" /&#62;






Louisiana



Three images below are part of a series about American shipbuilding in the Southern US. Photographed in Morgan City, LA. This project wasa funded by a Puffin Foundation Fellowship Grant. Images made with color transparency film.


&#60;img width="625" height="205" width_o="625" height_o="205" data-src="https://freight.cargo.site/t/original/i/1c5ded04ffdc48f72d273536b7d5072ef46a84e4bc8803febdc1e090d04ef493/NO37.jpg" data-mid="207306929" border="0"  src="https://freight.cargo.site/w/625/i/1c5ded04ffdc48f72d273536b7d5072ef46a84e4bc8803febdc1e090d04ef493/NO37.jpg" /&#62;


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Sequence Work

Images are combined to form an analog panoramic and strung together digitally. These were done prior to creating panoramic images by using a range-finder 6 x 17 panoramic camera. Also, the color images below were made with print film; the bottom image with black-and-white print film.



&#60;img width="900" height="225" width_o="900" height_o="225" data-src="https://freight.cargo.site/t/original/i/ca3c20dad418cc05c0950de02a9dbb15211304806ddc6445f9c50d2d6d4bfdf1/b_whale.big.jpg" data-mid="207306986" border="0" alt="Photographed at the Brooklyn Navy Yard dry dock. 2003." data-caption="Photographed at the Brooklyn Navy Yard dry dock. 2003." src="https://freight.cargo.site/w/900/i/ca3c20dad418cc05c0950de02a9dbb15211304806ddc6445f9c50d2d6d4bfdf1/b_whale.big.jpg" /&#62;




&#60;img width="1000" height="143" width_o="1000" height_o="143" data-src="https://freight.cargo.site/t/original/i/3792c7d457b2e72d9d1618e1b031fa10d1b55ca5b0a3cc0cfc2c0619429603e4/dburg.big.jpg" data-mid="207306995" border="0" alt="Coal depot, Duisburg, Germany, 2000.&#38;nbsp; &#38;nbsp;" data-caption="Coal depot, Duisburg, Germany, 2000.&#38;nbsp; &#38;nbsp;" src="https://freight.cargo.site/w/1000/i/3792c7d457b2e72d9d1618e1b031fa10d1b55ca5b0a3cc0cfc2c0619429603e4/dburg.big.jpg" /&#62;
&#60;img width="652" height="136" width_o="652" height_o="136" data-src="https://freight.cargo.site/t/original/i/1c2abbb5e0af81c7a273a54a4eb34b05fda29b24ac9048674bd2d28b7758fc69/Wdep_dock_comp.jpg" data-mid="207306997" border="0" alt="The DEP (Department of Environmental Protection) dock, Brooklyn Navy Yard, 2002." data-caption="The DEP (Department of Environmental Protection) dock, Brooklyn Navy Yard, 2002." src="https://freight.cargo.site/w/652/i/1c2abbb5e0af81c7a273a54a4eb34b05fda29b24ac9048674bd2d28b7758fc69/Wdep_dock_comp.jpg" /&#62;
&#60;img width="1000" height="166" width_o="1000" height_o="166" data-src="https://freight.cargo.site/t/original/i/45929be8160e09ef786467fbb511b07375fa1eb2dda6880cfa2caf516eee7812/dyke2_big.jpg" data-mid="207306999" border="0" alt="The Afsluitdijk (the Shut-off Dyke), Netherlans, 2001." data-caption="The Afsluitdijk (the Shut-off Dyke), Netherlans, 2001." src="https://freight.cargo.site/w/1000/i/45929be8160e09ef786467fbb511b07375fa1eb2dda6880cfa2caf516eee7812/dyke2_big.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Resume/CV</title>
				
		<link>https://anitagiraldo.com/Resume-CV</link>

		<pubDate>Thu, 21 Mar 2024 18:50:49 +0000</pubDate>

		<dc:creator>AnitaGiraldo.com</dc:creator>

		<guid isPermaLink="true">https://anitagiraldo.com/Resume-CV</guid>

		<description>Resumé/CV

Anita Giraldo is an educator, designer and installation artist living and working in New York City. She has created site-specific installations, photographic documentaries and fine art print series which have been exhibited in New York City, and throughout the United States and Europe. She is currently an associate professor of media technology and design at the New York City College of Technology (CUNY) in Brooklyn New York.

Exhibition Experience


Solo Shows


2013: &#38;nbsp;Steel Ice &#38;amp; Stone, &#38;nbsp;ArtWorks Trenton, Trenton, New Jersey (Curated). http://artworkstrenton.org/steel-ice-stone-archive/


2007: &#38;nbsp;Looking for Work, The Columbia County Historical Society Museum, Kinderhook, NY (Curated). Catalog available. Exhibition resulting from the commission of documentary photographs of industrial structures in Columbia County, New York, to accompany the book by the same name. Curated by Bonnie Yochelson.


1996: See My Voice, the Adams Landing Arts Center, Cincinnati (Curated).Exhibition of a series of sppech-animated photographs. Each piece contains a multimedia playback unit designed to play when the viewer crosses a sensor.


1991: Urban Ghosts, the Municipal Art Society, New York (Curated). A photo documentary on the forgotten historical burial structures around New York City.

Select Group Shows
2024 Democracy Spoken Here, exhibited at:
&#38;nbsp; &#38;nbsp; 
• The Contemporary Print, Austin TX, Icosa Gallery
•&#38;nbsp; Diversity Unveiled: An American Mosaic, University of Wyoming, Laramie


2023 Democracy Spoken Here, exhibited at:
&#38;nbsp; &#38;nbsp; • Pivotal: An Exploration of Art and Activism, Women’s Artist Coalition, Washington DC.
&#38;nbsp; &#38;nbsp; • FL3TCH3R: 11th Annual FL3TCH3R, curated by Adam De Marcelle. WInner of the FL3TCH3R Defence of Human Rights Award.

&#38;nbsp; &#38;nbsp; • Roe 2.0, Woman Made Gallery, Chicago, IL, https://womanmade.org/roe-2pt0/;

&#38;nbsp; &#38;nbsp; • Print Austin/Print Santa Fe, p. 24 of catalog: https://issuu.com/printaustin/docs/2printaustin2023_issu;

&#38;nbsp; &#38;nbsp; • Awake! Ann Arbor Art Center, Ann Arbor, MI


2020 Synapse exhibited in

&#38;nbsp; &#38;nbsp; • Cultura Del Vaquero, Eamon Carter Visual Arts Center, Fort Worth Texas. Panoramic photographic images from (Curated).

2020 Democracy Spoken Here, exhibited at

&#38;nbsp; &#38;nbsp; • Suffrajetting: Woman Made Gallery. Two images exhibited (Curated). https://womanmade.org/artwork/suffra-jetting/

&#38;nbsp; &#38;nbsp; The online exhibition: https://www.facebook.com/watch/?v=674039100012293

&#38;nbsp; &#38;nbsp; • Voting Daughters, The Foundry, St. Louis: http://www.foundryartcentre.org/about-the-foundry

&#38;nbsp; &#38;nbsp; Virtual Exhibition: http://www.foundryartcentre.org/voting-daughters. (Curated).


2019: Democracy Spoken Here, exhibited at :

&#38;nbsp; &#38;nbsp; • Stories in Print: Rockaway Artists Association, Fort Tilden, New York. https://www.rockawave.com/articles/stories-in-printopens/


2014: Steel Ice &#38;amp; Stone exhibited in

&#38;nbsp; &#38;nbsp; • Concerning Matter, The Gowanus Ballroom, Brooklyn, NY. https://www.facebook.com/events/313622282125792 (Curated)

2013: Invited to exhibit one piece from Steel Ice &#38;amp; Stone at TEDxUES, August 2013, Bohemian National Hall.


2010: See My Voice, exhibited at

&#38;nbsp; &#38;nbsp; • About Face, Tabla Rasa Gallery, Brooklyn, NY (Invitational).


2002: Images Against War, Cologne Germany (Juried; on world tour until 2014).


1996: See My Voice, exhibited at 
&#38;nbsp; &#38;nbsp; • The Adams Landing Art Center, CIncinnati, Ohio
&#38;nbsp; &#38;nbsp; • The Amsterdams Centrum Voor Fotografie, Amsterdam, Netherlands (Curated).
Grants/Fellowships


2022: PSC CUNY for continued research grant for Finding the Sky, a multi-media installation, for AR/VR delivery.


2020: PSC CUNY Research grant for Democracy Spoken Here, a series of typographic art pieces using a variety of print methods to express the American progressive discourse in a particularly turbulent political era. 


2016: PSC CUNY Research grant for Democracy Spoken Here. 


2014: PSC CUNY Research grant for Finding the Sky, a multi-media installation. photographed throughout South America, illustrating the story of a centenarian’s travels.


2011: PSC CUNY Research grant for Steel Ice &#38;amp; Stone, a multi-media installation exhibited public galleries throughout the New York metropolitan area.


2005: The Puffin Foundation Artist Fellowship Grant to travel to the Mississippi delta and photograph the ship building industry in the aftermath of Hurricane Katrina.


1998: Köln Salon, artist-in-residence program, Cologne, Germany


1989: National Endowment for the Arts for Documentary Photography: Urban Ghosts, a documentary of unknown gravesites throughout the New York City Area.


1985: New York Council on the Arts Fellowship (NYSCA) to photograph the architecture of Queens cemeteries.
Blogs and writings:

steeliceandstone.blogspot.com. The research of multimedia installation work is documented here. 2013-present. Still and moving images; sound.

democracyspokenhere.blogspot.com. The research and development of the print series is documented here 2016 - present.


2013 Author: Information Processing, New Photography 2012, a review of the new photography exhibition at the Museum of Modern Art. New York Photo Review, Volume 4, Issue 4, January 23, 2013.


Publications featuring artworks:

2024: Two images from Democracy Spoken Here featured in The Radical Notion, Issue 10, WInter 2024.

2023: Three panoramic photographs from another work, Synapse were featured in The Museum of Americana: A Literary Review, Vol 28, In Company of the Obsolete. https://themuseumofamericana.net/in-company-of-the-obsolete/
2023: Two images published to illustrate an article in Passenger’s Journal.

Publications reviewing exhibitions:

2019: The Wave reviews pieces from Democracy Spoken Here: https://www.rockawave.com/articles/stories-in-print-opens/

2007: The Independent, May 25, 2007 and October 19, 2007, page 9 and 17 respectively,review of Looking for Work, a photo documentary exhibition on the industrial architecture of Columbia County.


Commissions

2006: Commissioned by the Columbia County Historical Society to photograph the

industrial architecture of the county following the historic document Looking for Work

by architectural historian, Peter Stott. The photographs resulted in a curated exhibition

in 2007. Catalog available.


Professional Organizations (Professional Affiliations):

Design Incubation: International Design Research Association: presented at Colloquia 7.1;

https://designincubation.com/publications/abstracts/graphic-design-principles-a-history-andcontext-

based-first-year-design-textbook/

IdeaAlliance, the national organization of graphic arts professionals: https://idealliance.org/

Cooper Union Alumni Association: https://cooper.edu/alumni

School of Visual Arts Alumni Association

WAM, Women’s Audio Mission

Professional Experience:
Associate Professor of Design, Photography and Design Theory, New York City College of Technology, CUNY, Brooklyn, New York. 2010 - Present.

Education:
The Cooper Union for the Advancement of Art and Science, Bachelor of Fine Arts, graphic design and photography major
The School of Visual Arts. Master of Fine Arts, Photography and Related Media.


Related experience

Successfully funded Kickstarter campaign for Steel Ice &#38;amp; Stone, 2013.

https://www.kickstarter.com/projects/anitagiraldo/steel-ice-and-stone-relaunch/description

Freelance Photographer. Photographs appearing in Vogue, Mademoiselle, Elle, Vanity Fair.

Portfolio upon request.




</description>
		
	</item>
		
		
	<item>
		<title>Commercial Work</title>
				
		<link>https://anitagiraldo.com/Commercial-Work</link>

		<pubDate>Thu, 21 Mar 2024 18:47:38 +0000</pubDate>

		<dc:creator>AnitaGiraldo.com</dc:creator>

		<guid isPermaLink="true">https://anitagiraldo.com/Commercial-Work</guid>

		<description>Commercial Work


Lifestyle

While I don’t shoot commercially much anymore, I had an opportunity to photograph a college design department communications campaign. The models were students in the program; the images were processed into life-size prints and hung around the college.

&#60;img width="480" height="600" width_o="480" height_o="600" data-src="https://freight.cargo.site/t/original/i/119fd4c6c4234d162b578b1026de9f2d7b4476e6ba28fc66fc09719fd6dbb893/_--Screen_savers_Print.jpg" data-mid="207307084" border="0"  src="https://freight.cargo.site/w/480/i/119fd4c6c4234d162b578b1026de9f2d7b4476e6ba28fc66fc09719fd6dbb893/_--Screen_savers_Print.jpg" /&#62;




&#60;img width="800" height="600" width_o="800" height_o="600" data-src="https://freight.cargo.site/t/original/i/529df9493ab858759cffad5f93529523b55cb151fcb59b394a5b8c8fe2c82868/Screen_savers_Print5.jpg" data-mid="207307089" border="0"  src="https://freight.cargo.site/w/800/i/529df9493ab858759cffad5f93529523b55cb151fcb59b394a5b8c8fe2c82868/Screen_savers_Print5.jpg" /&#62;
&#60;img width="800" height="600" width_o="800" height_o="600" data-src="https://freight.cargo.site/t/original/i/5ac231bb2d0523250d33d5e26f2aaf945b5d3ae1a7d6232ff8007a9fcc09779c/Screen_savers_Print11.jpg" data-mid="207307088" border="0"  src="https://freight.cargo.site/w/800/i/5ac231bb2d0523250d33d5e26f2aaf945b5d3ae1a7d6232ff8007a9fcc09779c/Screen_savers_Print11.jpg" /&#62;

&#60;img width="800" height="600" width_o="800" height_o="600" data-src="https://freight.cargo.site/t/original/i/0364960fa545d3263f18dd04f8e0a50b253610a8bce119301ae5ca6df33bd94e/Screen_savers_Print6.jpg" data-mid="207307087" border="0"  src="https://freight.cargo.site/w/800/i/0364960fa545d3263f18dd04f8e0a50b253610a8bce119301ae5ca6df33bd94e/Screen_savers_Print6.jpg" /&#62;

&#60;img width="442" height="600" width_o="442" height_o="600" data-src="https://freight.cargo.site/t/original/i/1dc4774b5a9af2a30c20c78040926cfeb65f0fbae280eaa8fb0343a2325f198c/_Screen_savers_Print7.jpg" data-mid="207307193" border="0"  src="https://freight.cargo.site/w/442/i/1dc4774b5a9af2a30c20c78040926cfeb65f0fbae280eaa8fb0343a2325f198c/_Screen_savers_Print7.jpg" /&#62;

Fashion


My career as a commercial photographer began with an ad campaign for Get Used jeans. It appeared in Vogue, Elle, Madamoiselle, Vanity Fair and Seventeen Magazines.

My signature color photography work is characterized by warm, magic-hour light I used to photograph beauty and cosmetic accounts.




&#60;img width="356" height="500" width_o="356" height_o="500" data-src="https://freight.cargo.site/t/original/i/dc32f02ba1d68eaa2e2b3d13b4e27ee14f710cc23da6501a84706208caec7b99/_used6_rev.jpg" data-mid="207307262" border="0"  src="https://freight.cargo.site/w/356/i/dc32f02ba1d68eaa2e2b3d13b4e27ee14f710cc23da6501a84706208caec7b99/_used6_rev.jpg" /&#62;
&#60;img width="262" height="331" width_o="262" height_o="331" data-src="https://freight.cargo.site/t/original/i/1d0b4a943e5d511b816ac041620894db6cc8a3a40e52dd29103337c1dfdd8ad0/_used3_rev.jpg" data-mid="207307264" border="0"  src="https://freight.cargo.site/w/262/i/1d0b4a943e5d511b816ac041620894db6cc8a3a40e52dd29103337c1dfdd8ad0/_used3_rev.jpg" /&#62;
&#60;img width="402" height="500" width_o="402" height_o="500" data-src="https://freight.cargo.site/t/original/i/822faa02439628dd62527383bc97b5289fa6b0081894caa34adcb3609ab32275/_used1._revjpg.jpg" data-mid="207307265" border="0"  src="https://freight.cargo.site/w/402/i/822faa02439628dd62527383bc97b5289fa6b0081894caa34adcb3609ab32275/_used1._revjpg.jpg" /&#62;
&#60;img width="804" height="500" width_o="804" height_o="500" data-src="https://freight.cargo.site/t/original/i/0078ee9cda7fdbce977445ad198d5683f7b6214c29280e9c364265e5648a5c72/_used2_rev.jpg" data-mid="207307266" border="0"  src="https://freight.cargo.site/w/804/i/0078ee9cda7fdbce977445ad198d5683f7b6214c29280e9c364265e5648a5c72/_used2_rev.jpg" /&#62;
&#60;img width="373" height="500" width_o="373" height_o="500" data-src="https://freight.cargo.site/t/original/i/10d27b303a925cf08997911663131a0ca199540352208cc0d3b6ecdf753d7625/_fash4_rev.jpg" data-mid="207307269" border="0"  src="https://freight.cargo.site/w/373/i/10d27b303a925cf08997911663131a0ca199540352208cc0d3b6ecdf753d7625/_fash4_rev.jpg" /&#62;
&#60;img width="500" height="500" width_o="500" height_o="500" data-src="https://freight.cargo.site/t/original/i/229ad6ce4049ee6d09dfc80ae9980ba391558ab9cca7ca172e28a63a5f048ed2/_fash5_rev.jpg" data-mid="207307330" border="0"  src="https://freight.cargo.site/w/500/i/229ad6ce4049ee6d09dfc80ae9980ba391558ab9cca7ca172e28a63a5f048ed2/_fash5_rev.jpg" /&#62;
&#60;img width="242" height="331" width_o="242" height_o="331" data-src="https://freight.cargo.site/t/original/i/52122e27e7fcb9ddaa9bc15f178739092a1e9f0c489ffef8389660f8c84f83db/_fash2_rev.jpg" data-mid="207307270" border="0"  src="https://freight.cargo.site/w/242/i/52122e27e7fcb9ddaa9bc15f178739092a1e9f0c489ffef8389660f8c84f83db/_fash2_rev.jpg" /&#62;
&#60;img width="320" height="500" width_o="320" height_o="500" data-src="https://freight.cargo.site/t/original/i/5c8bcdf27f1049abcc8287c306493734852a7a9df99c5456aaa4cb1ace310b22/_fash3_rev.jpg" data-mid="207307272" border="0"  src="https://freight.cargo.site/w/320/i/5c8bcdf27f1049abcc8287c306493734852a7a9df99c5456aaa4cb1ace310b22/_fash3_rev.jpg" /&#62;
&#60;img width="500" height="500" width_o="500" height_o="500" data-src="https://freight.cargo.site/t/original/i/1eac78f87d1154fe1c6a38d620e24c5d552eae518f8a0d4c204748af55737eee/_fash6_rev.jpg" data-mid="207307271" border="0" alt="I photographed a lot of beauty and fashion for editorial and catalog companies." data-caption="I photographed a lot of beauty and fashion for editorial and catalog companies." src="https://freight.cargo.site/w/500/i/1eac78f87d1154fe1c6a38d620e24c5d552eae518f8a0d4c204748af55737eee/_fash6_rev.jpg" /&#62;
&#60;img width="370" height="500" width_o="370" height_o="500" data-src="https://freight.cargo.site/t/original/i/e17ced52a9a7b93c8e261d321c61f9e96ffebdc4fe86f24647a7564104f7f09a/Kinney_fash15.jpg" data-mid="207307400" border="0"  src="https://freight.cargo.site/w/370/i/e17ced52a9a7b93c8e261d321c61f9e96ffebdc4fe86f24647a7564104f7f09a/Kinney_fash15.jpg" /&#62;
&#60;img width="366" height="500" width_o="366" height_o="500" data-src="https://freight.cargo.site/t/original/i/c541a46121984f0d959a42a4eac95e02a9ef56c7950b7cd1a7c15fd43020d41f/Kinney_fash16.jpg" data-mid="207307401" border="0" alt="I photographed campaigns for the Kinney Shoe Corporation. " data-caption="I photographed campaigns for the Kinney Shoe Corporation. " src="https://freight.cargo.site/w/366/i/c541a46121984f0d959a42a4eac95e02a9ef56c7950b7cd1a7c15fd43020d41f/Kinney_fash16.jpg" /&#62;
&#60;img width="211" height="331" width_o="211" height_o="331" data-src="https://freight.cargo.site/t/original/i/c0c41b38b4e688b3f34c26db39bc3dd7c5250b1e4862dc4c9bdef6ef33e0f36a/_fash11_rev.jpg" data-mid="207307403" border="0" data-draggable alt="Norma Kamali&#38;rsquo;s evening collection." data-caption="Norma Kamali’s evening collection." src="https://freight.cargo.site/w/211/i/c0c41b38b4e688b3f34c26db39bc3dd7c5250b1e4862dc4c9bdef6ef33e0f36a/_fash11_rev.jpg" /&#62;
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Still Life


Life got a lot easier when I started shooting still life. I started with my Alpina and got a Sinar; I practiced with artsy images and eventaully shot ads and catalogs. 







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&#60;img width="405" height="500" width_o="405" height_o="500" data-src="https://freight.cargo.site/t/original/i/dc7b6f8e676356b992a68434edc27aaf59779d677955ef7584d34fb75ffecce7/_SL4_rev.jpg" data-mid="207307435" border="0"  src="https://freight.cargo.site/w/405/i/dc7b6f8e676356b992a68434edc27aaf59779d677955ef7584d34fb75ffecce7/_SL4_rev.jpg" /&#62;
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&#60;img width="406" height="500" width_o="406" height_o="500" data-src="https://freight.cargo.site/t/original/i/af6d354c945cc6cc648dbd51a1cf9f0322742bccfde2daa81fcef69bdd6658c5/Bag1_SL15.jpg" data-mid="207307471" border="0"  src="https://freight.cargo.site/w/406/i/af6d354c945cc6cc648dbd51a1cf9f0322742bccfde2daa81fcef69bdd6658c5/Bag1_SL15.jpg" /&#62;
&#60;img width="401" height="500" width_o="401" height_o="500" data-src="https://freight.cargo.site/t/original/i/e3605d25e0cfac88860c2ff1b84958f0d849d0d968bc680a69c4f17acf5668fc/Shedeido_SL13.jpg" data-mid="207307488" border="0" alt="While B-2-B campaigns allowed for multiple-exposure image experimentation." data-caption="While B-2-B campaigns allowed for multiple-exposure image experimentation." src="https://freight.cargo.site/w/401/i/e3605d25e0cfac88860c2ff1b84958f0d849d0d968bc680a69c4f17acf5668fc/Shedeido_SL13.jpg" /&#62;
&#60;img width="403" height="500" width_o="403" height_o="500" data-src="https://freight.cargo.site/t/original/i/0dcd45495bc02c8773d25dc5ae61fcf674e96ab17ed6e67a1cbfc840727db15e/milk_SL16.jpg" data-mid="207307490" border="0" alt="I also photographed editorial: for Fit Pregnancy and other small magazines....." data-caption="I also photographed editorial: for Fit Pregnancy and other small magazines....." src="https://freight.cargo.site/w/403/i/0dcd45495bc02c8773d25dc5ae61fcf674e96ab17ed6e67a1cbfc840727db15e/milk_SL16.jpg" /&#62;
&#60;img width="396" height="500" width_o="396" height_o="500" data-src="https://freight.cargo.site/t/original/i/d78aa48bd32d52511bcbef8ea26b606003e3b4896ce274b5f113a596a13c257c/Manolo_SL18.jpg" data-mid="207307478" border="0"  src="https://freight.cargo.site/w/396/i/d78aa48bd32d52511bcbef8ea26b606003e3b4896ce274b5f113a596a13c257c/Manolo_SL18.jpg" /&#62;
&#60;img width="400" height="500" width_o="400" height_o="500" data-src="https://freight.cargo.site/t/original/i/e65702079d04043a8597e52926aa7e5609509143a857a0e63b7b32092e913abf/Movado_SL7.jpg" data-mid="207307476" border="0"  src="https://freight.cargo.site/w/400/i/e65702079d04043a8597e52926aa7e5609509143a857a0e63b7b32092e913abf/Movado_SL7.jpg" /&#62;
&#60;img width="402" height="500" width_o="402" height_o="500" data-src="https://freight.cargo.site/t/original/i/8cc235debf6d1f05a9be6044a7fc60f0a88fd56570724764d67b20ec535d4451/1000_SL10.jpg" data-mid="207307485" border="0" alt="I specialized in luxury goods, photographing campaigns and department store advertisements." data-caption="I specialized in luxury goods, photographing campaigns and department store advertisements." src="https://freight.cargo.site/w/402/i/8cc235debf6d1f05a9be6044a7fc60f0a88fd56570724764d67b20ec535d4451/1000_SL10.jpg" /&#62;
&#60;img width="397" height="500" width_o="397" height_o="500" data-src="https://freight.cargo.site/t/original/i/fa311c89f324dfd60dc8f4fc32acfeb930789f702ca4f449a84109f12c6cfeb3/_SL1_rev.jpg" data-mid="207307433" border="0" alt="In-camera multiple-exposure work had a different allure than computer work; I shot the above for Carrillon Importers." data-caption="In-camera multiple-exposure work had a different allure than computer work; I shot the above for Carrillon Importers." src="https://freight.cargo.site/w/397/i/fa311c89f324dfd60dc8f4fc32acfeb930789f702ca4f449a84109f12c6cfeb3/_SL1_rev.jpg" /&#62;


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		<title>Statement</title>
				
		<link>https://anitagiraldo.com/Statement</link>

		<pubDate>Thu, 21 Mar 2024 18:49:45 +0000</pubDate>

		<dc:creator>AnitaGiraldo.com</dc:creator>

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		<description>Statement

Artist’s Statement


I became interested in multi-media projects when I began experimenting with the union of art and technology. I created an installation called “See My Voice” that addressed the disconnect of interpersonal communication in the wake of electronic devices. The images are large, still photography images fitted with a designed sound unit that operates in the presence of a viewer.&#38;nbsp;&#38;nbsp;Because the sensors need to be calibrated according to the exhibition space; each exhibition is site-specific. My work’s interactivity illustrates moving forward while standing still. This dichotomy expresses the need to recall past events in the face of current ones, triggered by nuanced memories. The large images allow the viewer the possibility to step back and take in the images; and the sound, which plays only upon crossing a sensor, is in some cases, spoken word, in others, ambient sounds from the natural environment. The balance of the two is an interplay I share with my viewer. My other installation works, “Steel Ice &#38;amp; Stone”, “Finding The Sky” and other works in progress follow this trajectory of expression.

Another branch of my work involves the practice of communication design. Here, I work with typography, composition, and minimalist shapes to again, ask the viewer to examine deeper layers of ideas and event. A large series of print works, “Democracy Spoken Here”, confront the United States public discourse in an increasing turbulent political era. Works from this series—serigraphs, letterpress and RISO prints have been exhibited throughout the US and published in international publications.
A central preoccupation of all my work is to examine what is often overlooked or dismissed. I hope that my work provides people with an opportunity to look anew at something they may have missed or remember something long forgotten. My work aims to awaken memories or link associations and reconnect with a more nuanced understanding of one’s surroundings.



Finding The Sky

Finding
The Sky is a
work in progress. It’s the story of a 100-year-old resident’s life in cow town
on the Colombia-Panama border. The remoteness of his environment has left its
culture and history largely undocumented; only recently have initiatives begun
to explore the elements that make up this remote corner of the country. A
series of images, video and sound footage interweave with archived material
through augmented reality software on a viewer’s device. The viewer can
experience the passage of time and consider the effects—significant or not—it
has had on this individual and his hometown.


The
area has a long indigenous history of advanced agricultural projects, fine
metallurgy and a large trade exchange that was decimated by conquest and
disease. Political strife and waves of exploitation took their toll, however
the fertile land allowed pastureland to sustain a large cattle industry. The
inhospitable climate and difficult terrain isolated the area from cultural
centers in the interior and further east on the north coast of Colombia, making
this environment ripe for exploration and documentation.
In addition to their saliency, all artworks must
now take a much more personal form because they are experienced intimately, and
on demand. What
makes this work different from my previous projects is that I am utilizing the
sphere of augmented reality to present the work’s concepts. The past and the
present are experienced at the same time. The interplay of sensorial stimuli allows
the viewer to see the evolution from their device, rather than an exhibition
setting. Such a personal experience relates to all my work: time travel through
nuanced memory. 






Democracy Spoken Here
Democracy Spoken Here:&#38;nbsp;Message, Typography and Politics is a typographic art piece. It is an aesthetic response to a political challenge; how an expression of historical import can be rendered more visible by expressing it typographically. 
Ultimately, it is a response to a period of political turbulence.
The continuous assault on our democracy is at the heart of this work. There has been general unease in this country for decades, but its voice reverberated, united by the internet and an unrepentent demagogue as its leader. Not a single human right has been spared of angst since 2016.
The font Clarendon displays prominently in this work. It was adapted for use extensively in the American West while undergoing continuous refinement for printing newspapers in the East. I’ve used it as the font to set all the type in the project and prints from this project have been exhibited in museums and exhinitions throughout the United States, a sign that the crisis wants to be examined; discussed.

Steel, Ice &#38;amp; Stone

Steel, Ice &#38;amp; Stone is a multimedia installation designed to prompt reflection on the power of sensory media in reviving nuanced memories. Inspired by personal experiences, the project explores the significance of recalling past events, especially when the physical elements of those memories are irreversibly lost.
The piece originated from my attempt to understand my sibling's decision not to undergo treatment for a brain tumor that ultimately claimed his life. In grappling with this choice, I found solace and understanding through revisiting his grave in a natural cemetery years later. The interaction with the humble stone, surrounded by ice and framed in steel, triggered a profound experience where bird songs and distant machine sounds filled the air, symbolizing the healing of our bond.The core of the installation lies in creating a setting for viewers to traverse, surrounded by oversized images and soundscapes of heavy machines and birdcalls. Abstract photographs of steel, ice, and stone, suspended from the ceiling, form a maze for the audience to navigate. The soundtrack, a blend of natural birdcalls and machine sounds, plays from sensor-triggered units strategically placed for this immersive experience.
Through this environment, I aim for viewers to engage with the abstract images and sounds, invoking distant memories from their own lives. Metaphors are employed to convey the intangible, expressing the paradoxical sense of moving forward while standing still. The dance between large, still images and subtle, time-based sounds encapsulates the delicate balance that I share with the audience, encouraging contemplation and introspection.

Synapse

Project/Synapse, renamed to Synapse, comprises a collection of large panoramic
landscape images of the American landscape to convey introspective themes. Delving
into the depths of memory and association, I grapple with the sensation of
diminishing optimism as youth slips away.


With no familial ties and a tenuous connection to the
present, my livelihood as a print producer—my means of supporting my artistic
endeavors—plummeted suddenly. Each day felt like a slow-motion descent into
uncertainty, with every setback eroding my sense of self.


Unable to articulate these sentiments through conventional
subject matter, I turned to capturing abstract concepts and emotions through
photography. Continuously shooting, I developed a visual language to articulate
the existential weight of a fading existence.


In the company of discarded remnants, I traversed
landscapes: junkyards, freight depots, dry docks, and abandoned
factories. Seeking inspiration, I ventured to Oklahoma, a place unfamiliar to
me, in search of images that resonated with my inner thoughts. I pursued the
curvature of the earth, symbolizing the pursuit of freedom.


Richard Wollheim, a critic and philosopher, explores the
interplay between physical objects and their symbolic representations. He
posits that the intent behind an image transcends its visual appearance,
emphasizing the significance of the artist's intentions. This notion
underscores the subconscious emotions embedded within artworks, which both the
creator and viewer share a profound connection to.



Synapse serves as the conduit between my personal
experiences and the imagery I utilize to express them. It is a bridge, a
synapse, projecting the essence of my emotions and inviting viewers to perceive
and empathize with them.

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